Mel Chin (b. 1951, Houston, Texas) was a first-generation American born to Chinese parents and was raised in a predominantly African-American and Latino neighborhood. He worked in his family’s grocery store, and began making art at an early age. Though he is classically trained, Chin’s art, which is both analytical and poetic, evades easy classification. Alchemy, botany, and ecology are but a few of the disciplines that intersect in his work. He insinuates art into unlikely places, including destroyed homes, toxic landfills, and even popular television, investigating how art can provoke greater social awareness and responsibility.
Unconventional and politically engaged, his projects also challenge the idea of the artist as the exclusive creative force behind an artwork. “The survival of my own ideas may not be as important as a condition I might create for others’ ideas to be realized,” says Chin, who often enlists entire neighborhoods or groups of students in creative partnerships. Chin also promotes “works of art” that have the ultimate effect of benefiting science or rejuvenating the economies of inner-city neighborhoods.
Chin received a BA from Peabody College in Nashville, Tennessee, in 1975, and fellowships from the National Endowment for the Arts in 1988 and 1990 and the Guggenheim fellowship in 2015. He has been featured in solo exhibitions at Galerie Steinek, Vienna (2012), the Asheville Art Museum, North Carolina (2012), the Hirschhorn Museum and Sculpture Garden, Washington D.C. (1989), among others. He lives in North Carolina.